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Cultural Sociology
Cultural
Sociology is a key discipline of the cultural and social sciences. This
research project conducts cultural sociology both according to classical and
neo-classical sociologies of culture and knowledge (Scheler, Mannheim, Horkheimer,
Plessner, Luhmann), and in line with the paradigm of cultural studies
(Phenomenological Sociology, Structuralism, Post-Structuralism, Cultural
Studies, and ‘Studies’ at large). Here, the double perspective is decisive: to
operate with a Culturology of the Social (symbolically produced and
culturally mediated social differentiations, cultural turns), without
abandoning the older perspective of a Sociology of Culture in the sense
of relating culture and cultural conflicts to ‘social locations’, and semantics
to social structures and (e.g. stratificational, generational and functional)
differences. The historically contextualized terminology of cultural sociology
allows for an analysis of contemporary societies, which struggle in their
social differentiations (classes, generations, gender, ethnicities, regions,
functional subsystems) for their symbolical representation and integration.
This topic has been developed in various lectures on sociology of religion,
art, artifacts and architecture, on ‘semiotics and sociology’, on knowledge
sociology and sociology of science.
Specific
research topics of this project are the social and cultural construction and
expressivity, symbolization and embodiment, arbitrariness and motivation,
of semiotically mediated modern societies. It is assumed that human living
beings, by nature being “unfathomable” and at the same time “not determined”,
fundamentally depend on “culture”. These living beings stabilize themselves in
their physis by culture and become simultaneously partially lucid for
each other in their sensual mode of appearance.
For this
reason culture is always determined by a double aspect: through a “natural
artificiality”, or construction, on the one hand, which provides
stabilization through the establishment of sensual and meaningful boundaries,
and by “mediated immediacy” or expressivity on the other hand, through
which “unfathomable” living beings bring themselves, in the establishment of
sensual and meaningful boundaries, to “appearance”, and express themselves
“mediately”. Especially applicable for the analysis of culture are therefore
those theories, which a) reconstruct culture as a conjunction of sensuality and
meaning (esthesiology and semiotics of culture), and b) do not reduce culture
to language but recognize nonverbal media at the center of culture. The
cultural theories of Helmuth Plessner, Max Scheler and Ernst Cassierer are
characterized by a) systematically applying corporality and meaning to one
another and b) thus, an ability to systematically reconstruct other media of
culture besides language, which entangle construction and expressivity in a
particular logic (the innate logic of the picture, mythos, music, dance,
mathematics, language, mysticism, architecture, artifacts / technology, etc.).
Cultural
sociology – e.g. as sociology of knowledge, religion, art, language and
artifacts – analyzes how societies discover their contours in invented and
regained forms of expression, how they startle themselves in iconoclastic
controversies, architectural and medial debates, how they stabilize and
transform their systems of stratification, generation, gender, region through
‘embodiment’. This means that, in ever changing societal constellations, each
new, incipient event of expression becomes the inexhaustible focus of cultural
sociology.
Publications and Papers
Since 1998, member (since 2005 board
member) of the Section on Cultural Sociology ( Kultursoziologie ) of the German Sociological
Association (GSA).
Conferences and Plenums organized
within the Section on Cultural Sociology:
“Soziologie und Anthropologie der Sinne” (Sociology and Anthropology of
the Senses, together with Jens Loenhoff), Göttingen 1999.
“Potsdamer Platz. Theoretische Perspektiven zur Kultursoziologie eines Ortes
der Moderne” (Potsdamer Platz. Theoretical Perspectives for a Cultural Sociology of a Location of Modernity,
together with Michael Makropoulos),
Berlin 2001.
“Vergleich der
Theorienvergleiche in der Soziologie” (Comparison of Comparative Theories in Sociology,
together with Rainer Geshoff), Dresden 2005
“Wie viel
(menschliche) Natur braucht die Soziologie?” (How Much [Human] Nature Does Sociology Need?,
together with Uwe Schimank), Plenum GSA congress, Kassel 2006.
“Wie bürgerlich
ist die Moderne? Bürgerliche Gesellschaft, Bürgertum und Bürgerlichkeit“ (How
Bourgeois/Civil is Modernity? Bourgeois Society, Bourgeoisie,
Bourgeois Life Style, together with Andreas Reckwitz), Konstanz 2007.
“Die Architektur der Gesellschaft. Architektur der Moderne im Blick
soziologischer Theorien” (The Architecture of Society. Architecture of Modernity
from the Perspective of Sociological Theories, together with Heike Delitz and
Hans Georg Lippert), Dresden 2007.
“Brauchen wir einen qualitativen Kulturbegriff? Qualtitätskriterien
aus soziologischer Sicht” (Do We Need a Qualitative Terminology of Culture?
Qualitative Criteria from a Sociological Perspective, together with Dominik
Schrage), Jena 2008
"Soziologie und Anthropologie der Sinne" (Sociology and Anthropology of the Senses),
conference of the Section on Cultural Sociology, Soziologisches Seminar,'
Universität Göttingen, organized together with Jens Loenhoff, June 11-12, 1999.
“Simmels Exkurs über die Soziologie der Sinne.
Zentraltext einer anthropologischen Soziologie” (Simmel’s Excursus on the Sociology
of the Senses), in: Österreichische Zeitschrift für Soziologie,
Themenheft: Soziologie der Sinne, 27/2, 2002, 6-13.
From 1999-2008 Research Associate / Lecturer at the
Institut für Soziologie, Dresdner Sonderforschungsbereich 537: “Institutionalität
und Geschichtlichkeit”
Joachim Fischer / Hans Joas (ed.), Kunst,
Macht und Institution. Studien zur Philosophischen Anthropologie, soziologischen
Theorie und Kultursoziologie der Moderne. Festschrift für Karl-Siegbert Rehberg (Art,
Power and Institution. Studies on Philosophical Anthropology, Sociological
Theory and Cultural Sociology, A Festschrift for Karl-Siegbert Rehberg), Frankfurt a. M.
2003.
“Der Potsdamer Platz als
gesellschaftsdiagnostisches Artefakt” (Potsdamer Platz as an Artifact of
Sociodiagnostics), in: Ästhetik und Kommunikation, 116/33, Spring 2002,
84-119.
Systems Theory (Andreas
Ziemann)
Philosophical Anthropology
(Joachim Fischer)
Critical Theory (Christine
Resch / Heinz Steinert)
Discourse Analysis and
Semiology (Michael Makropoulos)
Potsdamer
Platz. Theoretische Perspektiven zur Kultursoziologie eines Ortes der Moderne
(Potsdamer Platz. Theoretical
Perspectives for a Cultural Sociology of a Location of Modernity.), annual
convention of the GSA Section on Cultural Sociology, Berlin 2002, together with
Michael Makropoulos.
“The ‘Man
Without Qualities’ (Musil), the ‘Relatively Unattached Intellectual’ (Mannheim) and the
‘Eccentric Positionality’ of Man (Plessner). The Historic Coincidence of Three
Formulae of Human Existence”, International Conference on 'Culture,
Literature and Humanity in the Context of Globalization (org. by Cao
Weidong), Beijing Normal University, August 04-08, 2000.
“The
Historic Coincidence of Three Formulae of Human Existence: ‘The Man Without Qualities’
(Musil), the ‘Relatively Unattached Intellectual’ (Mannheim) and the
‘Eccentric Positionality’ (Plessner)”, in: Zeitschrift für
Literaturwissenschaft, Beijing Normal University Verlag, vol. 2, 2001
(Chinese translation Cao Weidong).
“‘Mann ohne Eigenschaften’, ‘sozial relativ freischwebender
Intellektueller’, ‘exzentrische Positionalität’. Musil, Mannheim,
Plessner” (‘Man Without Qualities’, ‘Socially Relatively Unattached
Intellectual’, ‘Excentric Positionality’. Musil, Mannheim, Plessner), in: Ulrich Bröckling / Axel T. Paul / Stefan
Kaufmann (ed.): Vernunft - Entwicklung - Leben. Schlüsselbegriffe der
Moderne. Festschrift für Wolfgang Eßbach, München 2004, 291-303.
“Bilderstreit. Die Debatte um die Kunst aus der DDR” (Iconoclastic Controversy. The Debate About Art from the GDR), Tagung
Stiftung Schloß Neuhardenberg, August 01-03, 2003.
“Distinktionskunst und Inklusionskunst. Zur
Soziologie der Kunstkommunikation der Bundesrepublik und der DDR” (Art of
Distinction and Art of Inclusion. On Sociology of Communication of Art in West
and East Germany, together with Dana Giesecke), in: Lutz Hieber / Stephan
Moebius / Karl-Siegbert Rehberg (ed.), Kunst im Kulturkampf. Zur Kritik der
deutschen Museumskultur, Bielefeld 2005, 86-114.
Neue Theorie des Geistes (Scheler, Cassirer, Plessner)
(New Theories of the Mind), in: Ralf Becker / Christian Bermes / Heinz Leonardy
(ed.), Die Bildung der Gesellschaft. Schelers Sozialphilosophie im Kontext,
Würzburg 2006, 166-181.
“Ästhetische Anthropologie und anthropologische
Ästhetik. Plessners 'Kunst der Extreme' im 20. Jahrhundert” (Aesthetic
Anthropology and Anthropological Aesthetic. Plessner’s Art of the Extremes’ in
the Twentieth Century), in: Josef Früchtl / Maria Moog-Grünewald (ed.),
Ästhetik in metaphysikkritischen Zeiten. 100 Jahre 'Zeitschrift für Ästhetik
und Allgemeine Kunstwissenschaft'. Sh. 8 der Zeitschrift für Ästhetik und
Allgemeine Kunstwissenschaft, Hamburg 2007, 241-267.
“Der Ort des Menschen im Kosmos. Zur Philosophie
der Weltraumfahrt” (The Location of Man in Cosmos. On the Philosophy of Space
Travel), in: der blaue reiter. Journal für
Philosophie, 23
(1/2007), 54-60.
“Wie viel (menschliche) Natur braucht die
Soziologie?” Einleitung, (How Much [Human] Nature Does Sociology Need?,
‘Introduction’ together with Uwe Schimank,), Plenum GSA congress, Kassel 2006,
in: Karl-Siegbert Rehberg (ed.), Die Natur der Gesellschaft, Frankfurt 2008,
1141-1143.
“Soziologie des Lebens” (Sociology of Life), Ad-hoc-Group, organized by Joachim Fischer /
Gesa Lindemann / Stephan Moebius at the 33th convention of the GSA: The Nature
of Society, October 09-13, 2006,
Universität Kassel.
“Neue
Aufgaben der Kultursoziologie”, panel discussion at the GSA-Section on
‘Cultural Sociology’ together with the René König Gesellschaft, Clemens
Albrecht, Joachim Fischer, Udo Göttlich, Karl-Siegbert Rehberg, Johannes Weiß,
33th convention of the GSA: The nature of society, October 09-13, 2006,
Universität Kassel.
“Brauchen wir einen qualitativen Kulturbegriff? Qualtitätskriterien
aus soziologischer Sicht” (Do We Need a Qualitative Terminology of Culture?
Qualitative Criteria from a Sociological Perspective), GSA-Section on ‘Cultural
Sociology’, organized by Joachim Fischer and Dominik Schrage, 34th convention
of the GSA, Universität Jena, October
7, 2008.
“Wieviel Kultursoziologie brauchen die Geisteswissenschaften?” (How Much Cultural Sociology do the Humanities
Need?), Freiburg Institute for Advanced Studies (FRIAS), School of History,
Universität Freiburg i.Br., February 5-6, 2010.
Was leistet die Kultursoziologie eigentlich für die Qualität der Kultur?,
in: Sociologia Internationalis, 47. Bd. (2009), S. 57-67.
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